Presentation
We were also recently visited by a theatre company
called SigndanceCollective, who
gave us a brief preview of their performance, Carthage, which "explores the
political, human and cultural impact of language" (Bower). The company is
very culturally diverse, and aims to promote inclusive theatre, making theatre
more accessible for the disabled. This is something I have not properly
encountered before, and I found it inspiring to know that there are people
trying to make theatre more inclusive for everyone. I was especially
interested by their use of sign-language throughout their performance.
I have also been reading this essay about the relationship between performance and cultural identity, which especially looks at the ways that folklore and mythology are adapted for stage.
· Signdance Collective,
https://www.signdancecollectiveinternational.com/
· David Bower, "David Bower: About Carthage, David Bower, Artistic
Director at the Signdance Collective", http://www.asiw.co.uk/reviews/david-bower-cathage-david-bower-artistic-director-signdance-collective
· Steve Evans, "Drowned Towns
and Sunken Cities: The Legend of Lake Bala, Wales", http://folklorethursday.com/regional-folklore/welsh-folklore-legend-drowned-town-beneath-lake-bala/
· W. O. Beeman, “The Anthropology of Theatre and
Spectacle” http://mysite.du.edu/~lavita/ExpCult/_Docs/beeman_anthro_theater_spectacle%20copy.pdf

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